![]() ![]() It was released on October 16, 2001, and it became the most successful rock song in 2002. “Blurry” was their second song released off of the Come Clean album (“Control” came first). But, unfortunately, it is also a song where his vocals sound a lot like Kurt Cobain. This is a song full of nostalgia and hope the vocals are soft and comforting. It is especially loved by those who have been through tough times or who have had toxic people in their lives. This is an excellent song about moving forward with your life and letting the past go. # 10 – We Don’t Have to Look Back NowĬoming in at 10 on our list of the best Puddle of Mudd songs is “We Don’t Have to Look Back Now.” This son was on their 2007 album Famous and was a radio release. Here are the top 10 Puddle of Mudd Songs. Their first release sold over 5 million copies.Īlthough they may have never topped the greatness of their first album, it is now 20 years since the release and 30 years since the band formed initially, and they are still touring. Their first album was widely popular and produced hits like “Blurry,” “She Hates Me,” “Drift and Die,” and “Control.” Although Puddle of Mudd has released other albums after their freshman debut, they only had moderate success compared to their first album. Scantlin himself has been compared to Nirvana’s renowned lead singer Kurt Cobain on more than one occasion. Some of their more heavy-hitting sounds can remind people of famous bands like Korn and Rage Against the Machine. On the intro I’ll take a look at the pros and cons of a record deal, as well as the legal implications of deepfake music.Puddle of Mudd has a similar sound to other bands from the same period and some that came before them, such as 3 Doors Down, Hinder, Seether, Fuel, Linkin Park, and Shinedown. I spoke with Pete from his studio in Hollywood. During the interview we talked about the things that have changed in mastering, how streaming has actually been beneficial to music audio, the level of the mixes he asks clients to send him, mastering for The Voice, and much more. I wanted to catch up with Pete since his last appearance on the Podcast was in Episode 165 more than 4 years ago. His mastering credits include Ray Charles, James Brown, Puddle of Mudd, Toto, and many more. In the early 2000’s Pete transitioned into mastering engineer first at Universal Mastering Studios, then to AfterMaster Audio Labs, where he currently works. While at Capitol, he worked on a wide range of artists from Miles Davis to Dwight Yokum to the Beach Boys and many more. My guest this week is mastering engineer Pete Doell, who worked as a staff engineer at the legendary Wally Heider Studios before moving to Capitol Records studio and then to Sony Pictures, where he worked for 15 years. ![]()
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